Mention Books Supposing The Shock of the New
| Original Title: | The Shock of the New |
| ISBN: | 0500275823 (ISBN13: 9780500275825) |
| Edition Language: | English |
Robert Hughes
Paperback | Pages: 444 pages Rating: 3.7 | 30024 Users | 124 Reviews
Representaion Conducive To Books The Shock of the New
Again today I was lost in admiration of this history-with-attitude of 20th century art. I think it’s the best single art book I’ve read. It’s stuffed full of ideas and sentences that refresh like a splash of seaspray. Viewing Paris from the Eiffel Tower in 1889 was “one of the pivots in human consciousness”. The phonograph was “the most radical extension of cultural memory since the photograph”. Cezanne “takes you backstage”. In cubist paintings the world was “a twitching skin of nuances”. “Machines were the ideal metaphor for that central pornographic fantasy of the 19th century, rape followed by gratitude.” “To make ‘socialist’ art, one must stop depicting ownable things: in short, go abstract.” “The idea that fascism always preferred retrograde to advanced art is simply a myth.” “Mass media took away the political speech of art.”This book is the 1991 expanded version of the 1980 book-of-the-TV-series. He moves the story forward in several broad themes – how art confronts or is absorbed by power; what architecture thinks it’s doing to us; the interior landscapes of art like surrealism and abstraction; and how art has lost any kind of plot it thought it might have had, and if that might be a good thing.
I opened at random and my eye fell on p 382:
Duchamp invented a category he called “infra-mince”, “sub-tiny”; it was occupied, for instance, by the difference in weight between a clean shirt and the same shirt worn once.
The only thing wrong with this book is that Mr Hughes didn’t do an even more expanded and updated version before he died in 2012. But you can’t have everything.
Itemize Regarding Books The Shock of the New
| Title | : | The Shock of the New |
| Author | : | Robert Hughes |
| Book Format | : | Paperback |
| Book Edition | : | Special Edition |
| Pages | : | Pages: 444 pages |
| Published | : | April 1st 2004 by Thames & Hudson (first published November 1st 1980) |
| Categories | : | Art. Nonfiction. Art History. History. Design. Reference. Philosophy |
Rating Regarding Books The Shock of the New
Ratings: 3.7 From 30024 Users | 124 ReviewsComment On Regarding Books The Shock of the New
one of the most important books on art history ever written. A life changing book for artists and those interested in art history. Art in context might be a better title. All art lives in the context of its times, read this book for a better understanding how art can be radical once and old hat years later.just read it.I was introduced to this book by my Art History professor. For anyone who has ever looked at modern art and said 'I don't get it', this book is for you. Hughes explains the cultural, political and societal factors that caused the modern art movement and why it matters.
A quite interesting dissection and explanation of the varying, often-warring factions that made up the modern art movement from the late 1800s to the 1980s. Excellent context to an often obtuse and obscure artform.
This book was my textbook for an art history course and I loved loved loved both the text and the course. This book is almost as exhausTING as it is exhausTIVE, but worth it if you're at all interested in "modern art".
The first few episodes of this I watched this, by the way, but will need to get hold of the book now are nearly entirely a rip off of Walter Benjamins work, particularly his Art in the Age of Mechanical Reproduction. The modern has been so dominated by machines and the question of how machines relate to humans is an open question that continues to haunt our nightmares. The Matrix movies are a particularly interesting example of this. But the history of this nightmare is much older than that
I bought this book after a trip to the Museum of Modern Art in New York. I left the museum confused and annoyed by Modern art. I could not find anything to explain Modern art. Nothing that wasn't complete unreadable, unwatchable or incomprehensible. Then I picked up this book. I read about 30 pages in the book store and couldn't put it down. Robert Hughes' prose flows, clear and crisp. I like that he could explain an artist's work in a way that lets you know he doesn't like it, but is open to
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