Mention Regarding Books فرانكشتاين في بغداد
| Title | : | فرانكشتاين في بغداد |
| Author | : | Ahmed Saadawi |
| Book Format | : | Paperback |
| Book Edition | : | Deluxe Edition |
| Pages | : | Pages: 352 pages |
| Published | : | January 1st 2013 by al Kamel |
| Categories | : | Fiction. Horror. Novels. Fantasy |
Ahmed Saadawi
Paperback | Pages: 352 pages Rating: 3.53 | 9872 Users | 1802 Reviews
Narration In Pursuance Of Books فرانكشتاين في بغداد
لسان هادي العتاك (بائع عاديات في أحد أحياء وسط بغداد)، يروي الكاتب العراقي أحمد سعداوي، في روايته الصادرة حديثاً عن منشورات الجمل، ما كان يقوم به من جمع بقايا جثث ضحايا التفجيرات الإرهابية خلال شتاء 2005، ليقوم بلصق هذه الأجزاء فينتج كائناً بشرياً غريباً، سرعان ما ينهض ليقوم بعملية ثأر وانتقام واسعة من المجرمين الذي قتلوا أجزاءه التي يتكوّن منها. مصائر شخصيات متداخلة خلال المطاردة المثيرة في بغداد وأحيائها
Declare Books Concering فرانكشتاين في بغداد
| Original Title: | فرانكشتاين في بغداد |
| ISBN: | 9933350013 (ISBN13: 9789933350017) |
| Edition Language: | Arabic |
| Characters: | محمود السوادي, الشسمه, هادي العتاگ, إيليشوا, الساحر, السفسطائي |
| Literary Awards: | Arthur C. Clarke Award Nominee (2019), الجائزة العالمية للرواية العربية (أي باف) / International Prize for Arabic Fiction (IPAF) (2014), International Booker Prize Nominee (2018) |
Rating Regarding Books فرانكشتاين في بغداد
Ratings: 3.53 From 9872 Users | 1802 ReviewsWeigh Up Regarding Books فرانكشتاين في بغداد
Faith or Madness?I find it possible to read Frankenstein in Baghdad with or without irony. It flows just as well either way - as an edifying symbolic story of courage and the will to survive in modern Iraqi reality; or as the precise opposite, a condemnation of the symbols which constitute that reality. Saadawi uses an established literary reference to create this ambiguity - the monster formed by chaos. Saadawis monster is assembled and refreshed from the body parts of bomb victims. It is"There are no innocents who are completely innocent or criminals who are completely criminal." I recently read an issue of Neil Gaiman's Sandman, "Ramadan," which was set in Baghdad in the 8th century. The city depicted in the comic is fantasticalfull of wonders straight out of the One Thousand and One Nights, and ruled by a caliph who wishes he could preserve the magic of the place forever. For various reasons that can't happen, and so we see Baghdad drained of its magic; the comic ends with a
Eerie, creepy, often hilarious ... Frankenstein in Baghdad is a modern retelling of Mary Shelley's Frankenstein insofar as it features a "monster" stitched together from the body parts of war victims, who reanimates and, well, had a thirst for blood. What I loved most about this book was it's setting - US occupied Iraq. A region and an era painted black by media I've grown up consuming, retold from the point of view of someone there. This story is charming, the characters heartfelt and the whole
Not simply a retelling of Mary Shelleys Frankenstein, this books author uses the reanimated, stitched together corpse to show the tension, danger and chaos ever-present in post-Saddam Hussein Iraq. The author follows a few individuals as their lives intersect, thanks to the monster, who was reanimated by the ghost of a security guard killed in a suicide bombing. And there are multiple suicide bombings in this story, along with a secret government department with corrupt and dangerous members,
A well-executed tale of, well, Frankenstein in Baghdad. From the Man Booker International Prize shortlist, this book is a fascinating and at times witty meditation on grief and guilt.Definitely different!
This is a novel that depicts the horror, chaos, and mass death that has visited the residents of Baghdad in Iraq since the US occupation, delivered with the blackest of humour via the reinterpretation of the Gothic Frankenstein. The only constant is the rising tide of the dead and missing, with many friends and family unable to access a body, sometimes the odd pieces of body parts but there is no guarantee. There were times that this story felt like a piece of Cubist art, with a disjointed
Baghdad, a city torn apart by conflict, where car bombs sow death on a numbingly regular basis. Baghdad, a city where the balance between different cultures and faiths, delicate at the best of times, is jeopardised by covert lobbies and political pressure groups. Baghdad, a city whose sons and daughters are sacrificed lost or dead in wars, or emigrants in foreign countries, lured by the promise of peace. These daily horrors are transformed by Ahmed Saadawi into a contemporary Gothic novel, in
0 Comments:
Post a Comment
Note: Only a member of this blog may post a comment.